Matthew Sheret

Notes and rosaries

I had trouble connecting to the internet while I was up at Thought Bubble. Besides snatched moments on Leeds Central Library’s computer and a bit of 3G I stayed pretty much unconnected throughout, foiled by hotel Wi-Fi and fictional ethernet cables.

That meant that research and social networks were fine, but things like draft emails, starred massages, Dropboxed docs and etherpad-style text interfaces were well out.

And that’s how I make a lot of my notes now. Scattered .txt files flung throughout the internet.

I wouldn’t mention it, but there was a lot of talk about print and digital throughout Thought Bubble, a lot of talk about notes and texture and The Feel Of Things. But for every scrap of paper I have with an idea scrawled in pen I’ve now got five scraps of digital detritus. Just as disposable, just as significant, just as hard to replace.

On returning from Leeds I found my FRSTEE waiting for me. FRSTEE was built by the folks at RIG, and it’s a little snowman ornament that uses your Twitter data as the basis for its shape and details.

It’s not unrelated to the things I couldn’t access. I like the idea that toys like FRSTEE might evolve into rosary-like totems of notes and scribblings, cairns for the pathway your digital notes might be mapping. There’s a space somewhere between the back of a train ticket and the innards of an Oyster card that offers us room for such fragmentary reminders of the things we ought to remember.

James has talked about this in relation to ebooks

These records—souvenirs—are important because they serve as touchstones, aides memoires, and visual quantifiers. They remind us of where we’ve been, keep experiences in our minds, enable us to learn from them through reinforcement.

…but I honestly didn’t get what he meant by that until I found myself reaching for a textfile I couldn’t access, in a library filled with dusty hardbacks and microfilm.

Leeds

I’ve spent the last week in Leeds, scripting comics and talking about stories as Thought Bubble Festival‘s Writer In Residence. It’s been fabulous.

My script for Kristyna Baczynski, the festival’s Artist in Residence, is in production, and the four blog posts I wrote (one, two, three and four) are online to read too. Kristyna’s a fabulous illustrator, and it’s been an absolute pleasure to piece a short story together with her and see skecthes and thumbnails become six pages of comics fun.




Rip it up!

For the most part this week I’ve spent my workdays listening to Phil Gyford’s ‘Rip It Up And Start Again’ playlist, based on the music written about by Simon Reynolds in his postpunk historiography.

And it’s great, it really is. Exhaustive and surprising, it mapped my memories of reading the book perfectly; you’re stunned by the still-vital eruption of Gang of Four in Chapter 7, delighted by the New Pop ZTT finale, a little disappointed by how easily Joy Division blend in…

It exacerbated the problem I had with Reynolds’ book though. See, I was born after the era he documents, and the music I fell for ten years ago wears its debt to postpunk so openly that I don’t need convincing of the era’s importance. Which is really what the book is – a long argument that this was a Genuinely Important Period In Pop.

Of course it was. If it hadn’t been I wouldn’t have anything to listen to now.

And by making that argument so comprehensively Reynolds casts the net very wide in terms of musical touchpoints, which makes the whole thing a little too saggy for my tastes. I felt that in a stretch between Chapters 17 and 21 yesterday – “The Black Hit of Space” to “Perfect Way” – where parts of it all just blended until Siouxsie crackled to life on my headphones and all was right again.

But both playlist and book are wonderful pieces of work. I’d recommend giving both a try, even if you don’t have the time in your life to, as Phil suggests, enjoy them together.

One day, when I have an awful lot of time on my hands, I’ll make a playlist for Words And Music.


Unrelated image above taken at High Arctic last weekend, which is also brilliant

Cheap

A very busy and disorientating weekend at MCM Expo, where I saw more Minecraft cosplayers than I’d dreamed possible and had music from Inception blaring at me every half hour or so.*

Luckily the work of friends eases me into the week. The ever wonderful Quinns released a new Shut Up & Sit Down in time for Halloween, while Matt ‘Dogtanion‘ Giraudeau drops his new E.P. Switzerland. The video for the lead track ‘Cheap’ is below.

* Apologies if you tried to buy something off me while I was screaming ‘We have to go deeper!’ at you.

Brash Young Fools

I’m a player in a Warhammer Fantasy Roleplay campaign run by Kieron Gillen (current writer of Uncanny X-men). This is a fact that would have delighted my 14 year-old self and mortally embarrassed my 19 year-old self.

In September I shot two time-lapse films of myself, Kieron, Dan ‘Gril’ Griliopoulis and Quintin Smith playing the game which I’d intended to use as the backdrop to my talk ‘Kieron Gillen, Supervillain’ at Playful 2011. But as the talk took shape it became clear I’d need a few things on top of the time-lapse films, so huge chunks of it hit the cutting room floor.

Just so the effort didn’t go entirely to waste I’ve sped the film up to a lean 8 minutes and uploaded it to the interwebs. Check it out below, or at Vimeo.

threesixfivestart dice

three hundred sixty six
Younger, faster, smarter, I’d started writing threesixfivestart when it became clear that The Polaroid Press had to die. Hunkered down in an icy flat in Muswell Hill, I swear the ghost of HST had been screaming at me through that first night of fractured sentences and whisky. “Get something honest down, you swine. Mean what you’re doing or don’t do it at all!”

threesixfivestart was a project from 2009/2010 in which I wrote the first passage of a book every day for a year. The passages themselves linked to one another and looped a lot, and a bunch of themes emerged that I still use a lot today.

It was a great exercise, and a very good way of getting that kind of writing out of my system.

I met Aiden Smith at a comic show in 2010, and bumped into him again at Comiket, where he had some storytelling prompt dice for sale. At the same time I was wondering how to revisit threesixfivestart, and the two concepts gelled nicely.

I ran the entire contents of threesixfivestart through a programme to discover how often different words were used. From that I selected the first fifty ‘meaningful’ words and whittled that list down into four groups of six to give me a die about locations, one about actions, one about themes and one about people. Roll the dice, write the story.

With those prompts Aiden set about creating illustration for each of the thirty six concepts. He also bound them in a book, with short explanations below each image.


Ultimately the dice are a prototype of a product that I don’t think I’ll actually take into production, but it was a great process and I’m pleased we found a way of bringing threesixfivestart to life that wasn’t simply a matter of chucking it into InDesign and printing it out. This is much closer to the spirit in which I started writing it, and I’m very pleased with the results.


A banner!

Design by Fire was great, thanks very much to Yohan, Dean, Carolein and Sanne for a wonderful couple of days (and to Kars for taking me under his wing and recommending The Village for a cuppa and think).

On to the next thing.

Pocket Scale now online

Pocket Scale, my talk for dConstruct 2011, is now online. If you find yourself with half an hour spare you can spend it watching me wield a sonic screwdriver onstage in Brighton.

The other talks are a treat too (in particular I’d urge you to check out Kars Alfrink and Dan Hon if you’ve got time).

A massive Thank You again to all at Clearleft for having me.

Image nicked from Lanyrd‘s blog. Sorry/Thanks Nat!

Music face

On Friday, I’ll be in Utrecht at Design By Fire talking about data, storytelling and awesome photos of Jupiter in The data will improve rockets*. I’m on early, 9.30 in fact, so I’ll be able to soak up the other talks as the day rolls on.

I’ll also be projecting my ‘listening to music’ face on a screen much taller than myself (see below) and taking the sonic on another outing. It should be a lot of fun, and I’m looking forward to yomping about a new city for a few hours.

(If you’re in Utrecht, or know it well, then do tweet any cafe recommendations to me – @mattsheret)

A few days later, back in fair old London town, I’ll be talking about NASA as Storyteller at sameAs Space. Much shorter piece this so hopefully I won’t have time to inflict the image above on the assembled crowd.

If you’re in London then come along; sameAs Space is free, just head along to The Driver near King’s Cross on Monday (17th October).

* This is actually a very different talk to the one I gave at SkillSwap Brighton with the same name. It is, however, a great name.

Comics comics comics

A few years back Julia, Sarah and I rocked up in Leeds with a few photocopied fanzines and low sales expectations to hang out with some friends at Thought Bubble Comic Festival. A convention in its second year, we’d heard great things about it and wanted to debut our first collection of comics at it.

By the end of the weekend we walked away with friends-for-life, a sell-out ‘zine and massive grins on our faces.

Thought Bubble has consistently been one of the finest shows I’ve had the pleasure of attending, and it’s gotten bigger each year without losing any of its charm. Back in May, Lisa and Clark mentioned a few of their plans for this year’s show and I was a little bit awed by it all.

That programme has been announced today, and as part of this year’s lineup I’ve been invited to be their Writer In Residence, alongside Artist In Residence Kristyna Baczynski. We’ll be creating a short story for next year’s Thought Bubble Anthology, as well as writing blogs about our progress, drafting new projects and chatting to anyone who fancies a natter about comics.

I’m a fan of the festival, I adore Kristyna’s work and I love comics, so it’s a massive honour to be able to combine all of that for a week. I can’t wait.

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