Matthew Sheret

And that’s all that…

Happy New Year everybody, hope you’ve had it good. I leave you with my Global Comment review of pop in the 00′s

Hundred Days Update

Bellies full, we enter the second quarter of the 100Days project today. Good luck to everyone participating with the next 75!

Yesterday’s message was a pretty easy one to go for, but today’s was different. I went for a little wander in the afternoon, along paths I took on an almost daily basis between the age of five and eighteen. I got to that crossing, remembered the moment a fourteen year old me kissed a girl and remembered that the next morning, after a first kiss, I broke up with her.

At this point it started to rain. I hid under a bus shelter and wrote the label, watching news flicker by on a TV screen embedded into the shelter wall. It didn’t want to let up. I remembered then that it had rained when we kissed too, and that was probably the only reason I really remembered it at all: I was soaking, but the kiss made it worth it. The sun peaked from behind the clouds for a moment, and I got this shot off, dashing back under shelter as it started to drizzle again.

I don’t remember her name. I’ve got about as far the initials – TS – but no more. So, TS, I’m sorry. That wasn’t very nice of me.

A Holiday Message

2009 has been incredible. Matt Jones words “Get Excited and Make Things” rang true throughout, and I’m very proud of a year spent Getting Things Done.

And it’s been fun. When Kieron said the words below at ATP I knew I’d found a replacement for this year’s Christmas Mix CD. So here’s a little message from me to you.

Happy New Year

It Wasn’t Easy

(A Christmas present for Kieron Gillen, December 2009. Illustrated by Julia Scheele)

Untitled

Mister Murray wondered if, should he drag the mirror over the granite corridor, the occupant of the opposing cubicle would notice the difference. Mister Murray wondered idly if, by hiding himself in the image of another, he may perhaps render himself invisible to the directions of another. Mister Murray wondered if, by reconciling the differences in communication protocol suggested by a mirror and the absence of activity behind it via application of clippers, grit and a hand-axe, he might find himself removed from the burden of interaction entirely. We know Mister Murray wondered this, because we found the yellowing notepaper.

(for the Ballardian/Savoy Books Microfiction Competition, December 2009. Received an Honourable Mention)

December round-up

Lots of things published in the last couple of weeks. Christmas seems to act as a deadline vortex – who’d have guessed? Christmas message, and one final project for the year, to be announced next week.

* First up my 100 Days pictures got a mention on the official site (edit: and it looks like Josie Long quite liked it too)

Armed with a Sharpie and a stack of address labels, Matt’s left warnings for mice on the skirting, social observation on parking meters and gone sticky-backed-cheerleading for Paul McCartney at ATP. Such an interventive [sic] fellow.

The notes can all be found here on flickr.

* My two Pitch Up & Publish eBooks (Unguided and Expeditions In Paper Science) were published over at the Diffusion website, so you can now download them at home. Big thanks to Giles and the Proboscis team for selecting my work.

* The final print edition of Electric Sheep Magazine is on the shelves, and it contains my review of Stingray Sam, one of my favourite films of the year. The stockists are listed online, and it’s well worth picking up, and not just because I’m in it.

(I’m very sad to see it go. The magazine was passed around a lot in my final year studying film, and contributions have been sharp across the board. A loss on a par with Plan B – must have been the year for it)

* My review of All Tomorrow’s Parties was published by Global Comment, a site that remains one of my favourites. Editor Natalia Antonova has been far too kind about my writing recently (and I should really point out that if you aren’t reading her blog then you might as well switch your RSS feed off), so a big thanks to her for that. I’m very proud of this piece, so please do check it out.

* Finally the Top Ten of Last.fm’s Best of 2009 have been published, and it’s a strong, striking line-up. What’s even better is that Last have produced two newspapers – one for London, one for New York – to accompany the project. They are an absolute joy, an entertaining archive of what’s been an incredible year both for Last.fm and pop music in general. If you’re lucky enough to get hold of a copy then make sure you treasure it. I’m really very proud to have been involved in this, and I won’t be able to thank Team Last (special shout to Hannah) and Jens Nikolaus enough for creating an excellent interface and online experience that manages to make my copy look good too.


One Hundred Days, Week One.

My Flickr page has some more of the entries from the ATP festival this weekend.

Last.fm Best of 2009

Besides my continual work to action my 100Days pledge, something else interesting happened today:

One of the gigs that kept me busy in November, Best of 2009 followed up last year‘s chart of the most highly scrobbled music that listeners to Last.fm generated. An epic mine of data was navigated, and the end result looks stunning. Last.fm’s ad-hoc Team Ginger did an incredible job.

I’m just now getting to see the functionality in the wild – and the overlay of personal listens with worldwide listens is a treat. The MJ data visualisation is gorgeous, and something I’m proud to be even tangentially involved in as a listener, let alone a writer. Numbers 20-11 go live next week, with the top ten coming on the 16th of December. Stay tuned, because it’s an epic top ten.

Last.fm Best of 2009

In November 2009 I wrote the editorial copy for Last.fm’s Best of 2009. This 8000 word commission involved working very closely with the design and web teams at Last.fm, and we produced a countdown that both emphasised the site’s functionality and used editorial to pull out context, something that everyday interaction with the service seldom foregrounds.

Last.fm produced two newspapers – one for London, one for New York – to accompany the project. They are an absolute joy, an entertaining archive of what’s been an incredible year both for Last.fm and pop music in general. I’m really very proud to have been involved in this, and I won’t be able to thank Team Last (special shout to Hannah) and Jens Nikolaus enough for creating an excellent interface and online experience that manages to make my copy look good too.


Make Out and Get Excited

A print made for Christmas 2009, strictly limited to a privately distributed edition of 20.

Quoting Kieron Gillen, after Matt Jones Get Excited and Make Things.

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